Whitney Museum of American Art
Whitney Museum of American Art
  • Видео 723
  • Просмотров 5 183 656
Cannupa Hanska Luger | Artist Interview | Uŋziwoslal Wašičuta | 2024 Whitney Biennial
Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, Lakota) proposes: “This installation is not inverted . . . our current world is upside down.” For the artist, upending our grounding in time and space makes way for imagined futures free of colonialism and capitalism, where broader Indigenous knowledge can thrive. The work here, Uŋziwoslal Wašičuta (a Lakota phrase meaning “the fat-taker’s world is upside down”), celebrates Native technologies by using the shape of a tipi-a word that the artist has also turned into an acronym, standing for Transportable Intergenerational Protection Infrastructure (TIPI). Luger looks at the complex structure as an example of the innovations created by his anc...
Просмотров: 161

Видео

Karyn Olivier | Artist Interview | Stop Gap, How Many Ways Can You Disappear | 2024 Whitney Biennial
Просмотров 35714 дней назад
Karyn Olivier’s work often examines loss and absence, signaled here in the weathered elements of her sculptures, including driftwood, buoys, worn clothing, broken traps, and commercial fishing rope. The artist selects these objects for their symbolism, as well as for the histories they carry, bringing past into present. Stop Gap, the title of one work presented here, packs clothing discarded by...
Tourmaline | Artist Interview | Pollinator | 2024 Whitney Biennial
Просмотров 36521 день назад
In Pollinator, Tourmaline proposes “that the truth of life is its ongoingness, its essence unchanged and unconstrained by space, time, or physical form.” In some scenes of the film, the artist walks through a garden in a floral headdress-seemingly equal parts generator and receiver of creative forces-and floats on a zero-gravity flight. Additional footage features the funeral procession and com...
Even Better Than the Real Thing: Curating the Whitney Biennial 2024
Просмотров 90321 день назад
Join 2024 Whitney Biennial: Even Better Than the Real Thing co-curators Chrissie Iles and Meg Onli for a conversation with Deana Haggag about the process of organizing this edition of the Whitney’s signature exhibition. Their discussion will consider key themes in the 2024 Biennial, including the fluidity of identity and form, historical and current land stewardship, and concepts of embodiment,...
Diane Severin Nguyen | Artist Interview | In Her Time (Iris’s Version) | 2024 Whitney Biennial
Просмотров 440Месяц назад
In Her Time (Iris’s Version) follows an actress named Iris as she rehearses for a leading role in a historical war film about the Nanjing Massacre of 1937, a brutal assault on Chinese civilians by the Imperial Japanese army during the Second Sino-Japanese War (1937- 45). Through this framework, Diane Severin Nguyen explores the ways that history circulates in the present-largely through popular...
Ser Serpas | Artist Interview | taken through back entrances . . . | 2024 Whitney Biennial
Просмотров 350Месяц назад
Describing sculptures like those included in this exhibition, Ser Serpas has said that “the act of making is a choreographed performance, of which the assemblage is the aftermath.” The performance begins in a city-in this case, New York, and specifically Brooklyn-with the artist collecting discarded objects that speak to her through their color, the ways they have become worn or torn, and their...
Isaac Julien | Artist Interview | Once Again . . . (Statues Never Die) | 2024 Whitney Biennial
Просмотров 1,5 тыс.Месяц назад
Isaac Julien provides insight into his contribution to the 2024 edition of the Whitney Biennial: an installation called Once Again . . . (Statues Never Die). Unfolding across five screens, Once Again . . . (Statues Never Die) reflects on the life and thought of Alain Locke (1885-1954), philosopher, educator, and cultural critic of the Harlem Renaissance (played by André Holland) who urged membe...
Inside the 2024 Whitney Biennial Session 2
Просмотров 534Месяц назад
This dynamic three-part course gives participants an in-depth view of works in the 2024 edition of the Whitney Biennial, interpreting them in the context of our social, political, and cultural landscape. The sessions explore themes in the exhibition, from the fluidity of form, perception, and experience to historical and current land stewardship to concepts of selfhood. Each week offers a diffe...
Hand In Hand: AI Art and Creativity
Просмотров 423Месяц назад
Inspired by Harold Cohen: AARON, this program brings together artists who are using artificial intelligence (AI) to produce work across a range of mediums, including painting, photography, and performance. Following short presentations about their working methods and tools, the conversation focuses on how AI can enable new forms of creativity and artistic agency while also addressing its corpor...
Whitney Biennial 2024: Even Better Than the Real Thing | What Is the Biennial?
Просмотров 727Месяц назад
"Artists don't only show us the world, they reinvent it." Hear from the curators of the Whitney Biennial 2024, Chrissie Iles and Meg Onli, Scott Rothkopf, Alice Pratt Brown Director, and contributing artists to the 2024 edition of the Whitney Biennial, speaking on what this year's Whitney Biennial means to them. Book tickets now here: whitney.org/tickets Whitney Biennial 2024: Even Better Than ...
Faith Ringgold, United States of Attica, 1971 | Video in American Sign Language (ASL)
Просмотров 295Месяц назад
Educator Lauren Ridloff discusses "United States of Attica" by Faith Ringgold in the recent exhibition Inheritance. For more information about American Sign Language and accessibility services at the Whitney Museum, visit www.whitney.org/access.
Inside the 2024 Whitney Biennial
Просмотров 1,3 тыс.2 месяца назад
This dynamic three-part course gives participants an in-depth view of works in the 2024 edition of the Whitney Biennial, interpreting them in the context of our social, political, and cultural landscape. The sessions explore themes in the exhibition, from the fluidity of form, perception, and experience to historical and current land stewardship to concepts of selfhood. Each week offers a diffe...
Harold Cohen: AARON | Plotter Demonstration
Просмотров 1,4 тыс.2 месяца назад
AI tools for image creation (think: DALL-E) have entered the mainstream in recent years but creating art using AI actually started in the 1960s. Our exhibition Harold Cohen: AARON looks at the advent of AI artmaking decades ago. In the late 1960s, Harold Cohen conceived his software as a program for artmaking and about the nature of representation itself. He named it AARON in 1973. To generate ...
Harold Cohen: AARON - Discussing the Earliest Artificial Intelligence Program for Artmaking
Просмотров 2,1 тыс.2 месяца назад
Christiane Paul, Curator of Digital Art, and David Lisbon, Curatorial Assistant, the curatorial team behind Harold Cohen: AARON, share insights in this conversation about the show on the Whitney’s 8th Floor. This exhibition traces the evolution of Harold Cohen’s AARON, the earliest artificial intelligence (AI) program for artmaking. Leaving behind his practice as an established painter in Londo...
Mary Kelly’s Concentric Pedagogy
Просмотров 4132 месяца назад
This program celebrates the publication of Mary Kelly’s Concentric Pedagogy: Selected Writings with a conversation between Mary Kelly and editor Juli Carson, moderated by Carrie Lambert-Beatty. As an artist and a theorist, Kelly is known for her foundational contributions to feminist and conceptual art; she is also renowned for her innovative pedagogical method, which has influenced countless a...
Torkwase Dyson Installation: Behind the Scenes | Hyundai Terrace Commission
Просмотров 4922 месяца назад
Torkwase Dyson Installation: Behind the Scenes | Hyundai Terrace Commission
Whitney Biennial 2024: Even Better Than the Real Thing
Просмотров 4 тыс.2 месяца назад
Whitney Biennial 2024: Even Better Than the Real Thing
Bienal del Whitney 2024: Aún mejor que la real | Trailer
Просмотров 5633 месяца назад
Bienal del Whitney 2024: Aún mejor que la real | Trailer
An Indigenous Present: A Conversation with Jeffrey Gibson, Dyani White Hawk, and Jenelle Porter
Просмотров 3543 месяца назад
An Indigenous Present: A Conversation with Jeffrey Gibson, Dyani White Hawk, and Jenelle Porter
Whitney Biennial 2024: Even Better Than the Real Thing | Trailer
Просмотров 3,9 тыс.3 месяца назад
Whitney Biennial 2024: Even Better Than the Real Thing | Trailer
A Conversation with Natalie Ball
Просмотров 2754 месяца назад
A Conversation with Natalie Ball
Body Language: Nick Mauss and Angela Miller in Conversation
Просмотров 4294 месяца назад
Body Language: Nick Mauss and Angela Miller in Conversation
Walter Annenberg Lecture: Nancy Baker Cahill
Просмотров 7114 месяца назад
Walter Annenberg Lecture: Nancy Baker Cahill
Drawn Together: Ruth Asawa’s Art and Life
Просмотров 1,1 тыс.5 месяцев назад
Drawn Together: Ruth Asawa’s Art and Life
Inherited Histories: A Conversation with Sadie Barnette and Kevin Beasley
Просмотров 3235 месяцев назад
Inherited Histories: A Conversation with Sadie Barnette and Kevin Beasley
Rashid Johnson on New Poetry
Просмотров 1 тыс.5 месяцев назад
Rashid Johnson on New Poetry
Asawa's Paper Web session 2
Просмотров 5365 месяцев назад
Asawa's Paper Web session 2
Whitney Snapshot: Henry Taylor's Wall Drawing
Просмотров 2,6 тыс.6 месяцев назад
Whitney Snapshot: Henry Taylor's Wall Drawing
Henry Taylor: B Side
Просмотров 1,4 тыс.6 месяцев назад
Henry Taylor: B Side
Ruth Asawa Through Line
Просмотров 1,3 тыс.6 месяцев назад
Ruth Asawa Through Line

Комментарии

  • @TukwilaRed1974
    @TukwilaRed1974 День назад

    I really can't stand the way folks totally rewrite the history of the Stonewall Riots to make it entirely the efforts of Rivera and Johnson. That is complete bullshit revisionist history and anyone there, including Rivera and Johnson themselves when they were alive, will tell you it's bullshit. It takes a queer community, then as now, to make a queer revolution. Everyone was pissed, not just Rivera and Johnson. Folks still dispute who threw the first bottle. Some say Stormy started the riots when she said to the crowd of onlookers "What are you doing to DO about it?" This obsessive focus on praising these two individuals at the expense of building an actual movement of queers to win liberation needs to end (cuz we still ain't liberated, kids; the democrats prefer to commit genocide in Gaza and provoke World War III in Ukraine rather than codify Trump nominee Gorsuch's 2020 ruling that Title VII of the Civil Rights Act also covers claims based on sexual orientation and gender identity, the most RADICAL victory for queer working people since the Stonewall Riots). The many many folks who picked up the baton and built the first radical queer organizations, including the protest in support of women prisoners (including Assata Shakur) just a month later, deserve credit for making Stonewall a thing to remember. Stonewall wasn't the firs riot and it wouldn't be the last. So do the many straight folks, including straight black men from Harlem, who heard that people were fighting the cops and wanted to help.

  • @CzrBklyn
    @CzrBklyn 2 дня назад

    This the machete professor? lmao - way to destroy your credibility as an "artist"

  • @Kontorgh_art
    @Kontorgh_art 6 дней назад

    So amazing.

  • @imaginationunreal
    @imaginationunreal 6 дней назад

    Never lived in NYC, but I knew about the piers through friends and boyfriends who had experienced the area. This installation is evocative and compelling and like what was said here, will hopefully spur the curious to learn more about queer history.

  • @gregorio9423
    @gregorio9423 7 дней назад

    Soy modelo quien me quiere contratar

  • @lcalder4899
    @lcalder4899 11 дней назад

    Love Love Love

  • @jsethanderson
    @jsethanderson 13 дней назад

    So much anti-gay revisionist history in this video.

  • @Helloevreything_1
    @Helloevreything_1 13 дней назад

    sad to not see Hilma af klint

  • @Nanna-MO
    @Nanna-MO 13 дней назад

    I’m 58 my grandaughter is Bi Sexual , and one of my grandsons is gay , although he hasnt said anything to anyone . I’m horrified to think parents could throw there kids out for being gay , I’ve seen documentaries about parents not accepting there sons ashes as he was gay and died of AIDS , omg first and foremost in life , a Woman is a mother , we love out children unconditionally . No matter what sexual preferences they have , I do understand that in the 80s when aids came out parents were ashamed and embarrassed , even the men dying of aids some themselves were shamed into hiding there health , if you’re neighbours will hate you for having a gay son , move houses , the neighbour isnt that good of a friend if they hate you’re gay son or daughter , im disabled and riddled with arthritis , but I’m at the front on Pride Day on my mobility scooter , which my husband and grandaughter put these big stickers on so my scooter is pride colours , and my massive Tshirt saying I’m. Proud Grandmother of gay grandchildren , I was born 1966 so in the early 80s I was a teenager and didn’t understand it all , but I’m telling you , if it happened now , I’d be first at the hospital door , giving these people food , water there medications, bed baths the lot , not one gay man will suffer on my watch , they lay in there beds while nurses wouldn’t touch them , pass there food to them , they just needed a hand to hold , a person to hug , F--K AIDS . I’m a hugger and hand shaker , and I’d be making those people feel loved , Kudos to those wards that opened in hospitals especially for aids patients to help them , my heart bleeds to think thousands of men died alone because people wouldn’t help them . 😢😢😢

  • @juluk2003
    @juluk2003 15 дней назад

    subtitles are not in sync with the sound of the video, could you fix that?

  • @linscoolll
    @linscoolll 17 дней назад

    Writing an essay at school on her!! 😁

  • @louisd2041
    @louisd2041 17 дней назад

    Vital information and a wealth of knowledge on women artists, many thanks

  • @gametime-bw3zk
    @gametime-bw3zk 18 дней назад

    very helpful recap and q&a. JQTSS's work deserves much consideration and thought that this video facilitates

  • @mJ-sm4ss
    @mJ-sm4ss 18 дней назад

    actually they weren't there that night at stonewall.. we already saw that on another documentary tho... Marsha wasn't even on that side of town at the time,.

  • @limolnar
    @limolnar 18 дней назад

    I'm shocked at the rewriting and romanticisation of the 1960s through the 1980s, to cast aside the words and actions of our elders. It's not healthy to do this and to view everything through a 2020s lens - especially was the people that were there are still alive. The only people whose voices matter are those that experienced it.

  • @juvalentino1
    @juvalentino1 19 дней назад

    What a pity that I couldn’t be there to see that exhibition.

  • @bojack40
    @bojack40 19 дней назад

    He lays it on a bit thick (divinity etc) but i appreciate the ‘memorial’. We lived and loved.

  • @marcos.666
    @marcos.666 20 дней назад

    Now that rampant gay sex at the piers is over, "respectable" institutions like The Whitney can celebrate it. If polite society really wanted to celebrate this gem of our history, they'd make space for what went down at the piers back in the day along today's waterfont.

  • @jimjimgl3
    @jimjimgl3 20 дней назад

    "I'm able to see the temples within which they built the divinity of queer identity" Huh? The piers were where horny gay men went to have sex. There was no political or social agenda at the time on the piers. The piers were a convenient and ignored place on the fringes of the city where men (both gay and "straight") could have anonymous sex.

  • @greggw.brevoort
    @greggw.brevoort 23 дня назад

    I was 19 in 1981, newly arrived in the Village. I knew the piers were a hotbed of activity - but because it was so dark and scary, I was terrified of venturing over there. So, I never did go. Never got further than the West Side Highway. Kind of regret it now.

    • @user-ns6ql1dt2k
      @user-ns6ql1dt2k 23 дня назад

      Thank God you never did, and May be because you are still alive and are able to write that comment. Best wishes, bro.

  • @jc0730
    @jc0730 25 дней назад

    We must not allow the homophobes to erase our history!

  • @aftermoviesdraw8390
    @aftermoviesdraw8390 27 дней назад

    15:23

  • @lucifersapphire8412
    @lucifersapphire8412 29 дней назад

    We have always been here!

  • @pozleo78
    @pozleo78 Месяц назад

    6:05. Call them out sir!!! 😊

  • @dickpiper5339
    @dickpiper5339 Месяц назад

    Gay nyc have no sense of what it was like to live in that community. AIDS and Reaganomics greed destroyed that era. Chelsea and then Hell's Kitchen are very poor examples of gay communities. Now the neighborhood is the internet. From the dark rooms of touch but don't see it is now screen see but dont touch. So it goes..

  • @whitneydesignlabs8738
    @whitneydesignlabs8738 Месяц назад

    Great presentation! Thanks to the presenters, and thanks to the Whitney museum for exhibiting Harold Cohen's work. I worked for Harold as a young man building a robotic arm with Harold's goal to transition from b&w plotter output to full color painting output.

  • @petermccain6484
    @petermccain6484 Месяц назад

    Best piece at the Biennial

  • @zaharizahariev
    @zaharizahariev Месяц назад

    It’s like a curse really everywhere there is even a small resemblance of life and something interesting happening immediately the zombie breeders come and spoil the fun.

  • @DK-yq5nx
    @DK-yq5nx Месяц назад

    Is there a book of these photographs? They are amazing and should be preserved.

    • @enzomthethwa5861
      @enzomthethwa5861 Месяц назад

      Yes there is but one of the photographers mentioned: Alvin Baltrop.

  • @mrnieblas1
    @mrnieblas1 Месяц назад

    Amazing❤

  • @cadicorniche
    @cadicorniche Месяц назад

    This video made me very nostalgic and sentimental. I grew up in NY and was introduced to the piers in the late 70s and early 80s. The piers were a place to relax, to breathe, to enjoy a space that was not encumbered by societies 'dont's'. To hear the music, see and talk to like-minded people, to feel the sun on your skin - or just to gaze at the water and clear your mind. It was glorious!!

    • @cayetano-fd6kh
      @cayetano-fd6kh 20 дней назад

      True! but sadly it was the AIDS crisis of the early 1980's that speed fasted the demise of the piers and these fun places around the waterfront in Greenwich Village. Authorities and lots of homophobic people started using the AIDS crisis as an excuse to close down gay businesses like bars and bath houses too back then.

  • @davidbodrick1827
    @davidbodrick1827 Месяц назад

    👏🏾👍🏾❤️

  • @jackgross6133
    @jackgross6133 Месяц назад

    Read "Rushes"

  • @dyrekvellnagel3011
    @dyrekvellnagel3011 Месяц назад

    Kudos , I never knew about the pier until now. Thank heaven for the times that were had by all and sundry being themselves without retribution. An eye opener ; Dang. 🐨❤DD.

  • @fleckmo
    @fleckmo Месяц назад

    I went to the piers with my brother, must have been the early 80s. Both of us gay. He said something like “You can see all kinds of people here,” and I said, “Like a man in heels with no arms?” Because indeed there was a very tall, slim young man with long blond hair and no arms, wearing short shorts, a bikini top and high platforms, stepping over the concrete berm that was supposed to block off the pier. He was lovely. Maybe he’s reading this. Maybe someone reading this knows him.

    • @tula1433
      @tula1433 23 дня назад

      I’d imagine if he was reading this he couldn’t type to reply lol

    • @louisdewit4429
      @louisdewit4429 20 дней назад

      @@tula1433 - 🤣

    • @jgilc2691
      @jgilc2691 14 дней назад

      ​@@tula1433Consider getting out more and experience life and others. You'll meet an incredible amount of wonderful people that can teach you about yourself.

  • @Ramon51650
    @Ramon51650 Месяц назад

    I came out in 1968 and thee next year my parents sold our home on Long Island; they were done with living in the states. I wasn't ready to leave with them at the time when I was wide-eyed at new possibilties so i moved to the village and sofa surfed in the East Village. That's when I met Sylvia & Marsha. Talk about protective and caring, and in Sylvia - anger at all the injustices. Now, over half a century later I still remember what she said one night after trying to make some solidarity with Matachine and other groups: "At the end of all this, it's the street and trans communities that are going to take the hits from everybody else."

  • @michaelkrass-jo8fs
    @michaelkrass-jo8fs Месяц назад

    infuriating.i was there - a gay kid meeting wanting loving. youve given my history in this vid entirely to the trans kids - certainly a small percentage of us - because its fashionable. entirely skewing our history.

    • @nailartguy3363
      @nailartguy3363 28 дней назад

      No one is skewing anything. They discussed the prevalence of gay men at the piers many times. They showed dozens of pictures that proved as much. But what’s also wrong with giving a bit more focus on the most marginalized group of people within an already marginalized community? I’m a gay man and I didn’t feel that way at all and saw gay history fully emblazoned all over the beginning of this video. It naturally turned to highlighting trans women of color because, wait for it, they were also there and it’s also their history. That shouldn’t be soemthing that infuriates you.

  • @CRYDERSB
    @CRYDERSB Месяц назад

    Awesomeness

  • @jamesflolid1394
    @jamesflolid1394 Месяц назад

    Thanks for this Video, I’m a Minnesota boy/ 74 yr old now ….

  • @MrSKSJr1964
    @MrSKSJr1964 Месяц назад

    They were not “trans” anything in n 1969, they were Drag Queens that stood up to the cops, fact check yourself!

  • @dstuart2918
    @dstuart2918 Месяц назад

    Queer ...blah...blah..." queer" is just another affectation. It doesn't stand for my identity at all.

    • @nailartguy3363
      @nailartguy3363 28 дней назад

      Good for you! You’re special! 🙄

  • @albertinsinger7443
    @albertinsinger7443 Месяц назад

    Good , art criticism .

  • @NameRequiredSoHere
    @NameRequiredSoHere Месяц назад

    I used to go to the Morton Street Pier in its heyday. The buildings at one time were owned by the Erie Lackawanna Railroad so the joke about the area was, "It's kind of eerie and a lot go ona." LOL

  • @wendybutler1681
    @wendybutler1681 Месяц назад

    Important to know the history. Even us stodgy old straight folks should do a little reading and educate ourselves on the hows, whys, whens and wheres of LGBTQ history. Some real heros in the tale. May they rest in fabulous and peaceful perfection.

  • @oc5939
    @oc5939 Месяц назад

    Thanks for remembering such an important part of our history. 💕

  • @howiegetman1
    @howiegetman1 Месяц назад

    WOW, so beautiful..as a frequent hanger outer at the piers..i found thisso incredibly moving..loving..& most importantly respecrful..thankyou

  • @GeorgeStar
    @GeorgeStar Месяц назад

    Now everything has been sterilized, sanitized, deodorized, plasticized, lobotomized, supervised, white washed, paved over, fenced in, locked out. God forbid there be a square inch of free, wild open space in NYC.

  • @maureenharrison1261
    @maureenharrison1261 Месяц назад

    This is so badly mis-titled. It is about SO much more than just ballet. It is one of the most, perhaps THE most quintessential interviews online Fran has done. I know because I have seen every single one….😳❤️

  • @petermichaelherbert5165
    @petermichaelherbert5165 Месяц назад

    Temples? You’ve got to be kidding

  • @twalsh1801
    @twalsh1801 Месяц назад

    the drugs